Author Archive: Steve Kerr

Dorisburg, Sinai Hypnosis

Sinai Hypnosis, the debut release by Dorisburg, disregards genre uniformity and attempts to bridge disparate structures with an overarching spaciness.

Literon, Storm/Nightfall

For his Storm/Nightfall single as Literon, Gerd-Jan Bijl matches the funkiness of his better known projects with darker, warehouse-style grooves.

Azari & III, Indigo

Azari & III’s Indigo recalls the duo’s first two releases in mood, but deconstructs their widescreen vision into something trackier, and in places, more formulaic.

2AM/FM, Final Approach

Final Approach for Crème Organization’s JAK sub-label is easily one of the most personality-filled compositions to emerge from 2AM/FM (Tadd Mullinix and D’Marc Cantu).

Nochexxx, Ritalin Love/Timepiece

Nochexxx’s debut for Ramp Recordings synthesizes a variety of elements into unceasingly fidgety arrangements that nevertheless stay deftly away from disorder.

Matthew Dear, Black City

Black City, Matthew Dear’s fourth album, often feels like a series of deeply personal vignettes conjoined by a few widescreen thrillers.

Frozen Border, Frozen Border 06

Devoid of the offbeat catchiness of previous editions, Frozen Border 06 is largely a package of tools with its own appeal that’s easier to appreciate with repeated spins.

LWE Podcast 58: Kettenkarussell

In anticipation of their appearance at London’s Whitechapel Gallery on September 17th as part of the Alpha-Ville festival, Kettenkarussell sent us a recording of their set at this year’s Fusion festival, as well as some insight into the project and its priorities.

DJ Nate, Da Trak Genious

One of Chicago’s most idiosyncratic footwork producers is DJ Nate, a highly prolific producer now involved in rap and R&B projects whose Da Trak Genious compiles much of his work from the last few years.

Unknown, Oops

The Oops 12″ on Caravan pairs sides that, while basically tools — blank and ambiguous enough to fit into a variety of sets — nevertheless display a lot of character.

Kassem Mosse/Lowtec, Workshop EP

For their long awaited seventh release, Laid commissioned a split single from Workshop luminaries Kassem Mosse and Lowtec.

Stingray313, Sphere of Influence/Sentiment

The elements at play are fairly minimal, but Stingray313’s Sphere of Influence/Sentiment encapsulates why people incessantly repeat “Detroit” like a mantra.

George FitzGerald, The Let Down/Weakness

It was inevitable that Joy Orbison’s enormous success would spawn a flurry of sound-alikes, and George FitzGerald’s Hotflush debut complements projects like Pariah and Sepalcure in recalling the English producer’s melodramatic, vocal-infused tracks.

Maxmillion Dunbar, Girls Dream

Like A Made Up Sound’s “Shortcuts” reimagined in tree-lined summertime suburbia by a hammock-dwelling weedhead, Maxmillion Dunbar’s material is unpredictable in structure, working in a dreamy realm between wonky hip-hop and slow house.

Nuel, Aquaplano ltd 01

On the first Aquaplano release without label co-owner Donato Dozzy as a collaborator, Italian producer Nuel delivers five tracks that ably complement the pair’s creations.

Pearson Sound, Down With You/Higher

David Kennedy’s first Pearson Sound transmission of 2010, the inaugural release for Darkestral Galaxicos, could potentially be the work of a different artist, containing two of his fastest, most rigid tracks to date.

LWE Reviews MUTEK 2010

After a few days’ rest, LWE contributor Steve Kerr submits his review of MUTEK 2010.

Actress, Splazsh

The second album by Actress, Splazsh, is stylistically diverse, its shapeshifting unified by his predilection for clipped vocal stabs and subtle, droning atmospherics.

James T. Cotton, On Time

James T. Cotton’s On Time, his latest EP for Spectral Sound, succeeds because he realizes where to draw the line between reverence and progression.