Tag Archive: album

Portable, Into Infinity

With Into Infinity, Alan Abrahams hasn’t changed his sound as much as polished it, arriving at his most mature, consuming work to date.

Alex Cortex, Kihon

On his third album, Kihon, Alex Cortex comes through with something typically eclectic and quietly brilliant.

Various Artists, Amsterdam Allstars

Rush Hour’s Amsterdam Allstars features a cross-section of the city’s talent, and while the city’s funky warmth pops up quite a bit here, the results are comfortably diverse.

Modeselektor, Monkeytown

There is a fine line between cohesion and discontinuity. Thankfully Modeselektor’s latest album, the self-referentially titled Monkeytown, trends toward the former.

Yves De Mey, Counting Triggers

Yves De Mey’s Counting Triggers continues Sandwell District’s trajectory into the abstract but brings the quality right back up the level of Feed-Forward.

Jonsson/Alter, Mod

Previous Jonsson/Alter releases offered a refined, flowing vision of deep house sounds entirely primed for a full-length, and with Mod they make good on that promise.

Emika, Emika

Emika is an album about sounds and spaces, with haunting, fragile vocals that flit through wide open rhythms and melodies that echo resoundingly over top.

Scuba, DJ-Kicks

Scuba’s DJ-Kicks is a solid sequel to and essentially the next logical step from Sub:stance, showcasing a scene that has pretty much jettisoned its dubstep roots.

BNJMN, Black Square

The Black Square LP finds BNJMN returning to Rush Hour Direct Current with a more somber outlook.

Martyn, Ghost People

Ghost People finds Martyn trading the wistfulness of his Great Lengths debut for more floor-focused compositions.

Zed Bias, Biasonic Hotsauce – Birth of the Nanocloud

Biasonic Hotsauce – Birth of the Nanocloud boasts 12 collaborators over the course of 18 tracks and it feels very much like a mixtape.

Rustie, Glass Swords

While threatening to explode into something gaudy, Rustie’s debut album, Glass Swords, makes a compelling statement with its stack of over-the-top influences.

Luomo, Plus

Plus is the snapshot of where the Luomo project stands right now: simultaneously more pop and more experimental than his previous work.

Various Artists, Surreal Estate

Surreal Estate, featuring Sepalcure, Distal, Salva and more, mixes everything from house to hip-hop, dubstep to juke, and all of the electronic funk that sitting in-between.

Andy Stott, We Stay Together

A companion record to May’s Passed Me By, We Stay Together finds Andy Stott further plumbing the sludgy depths of its predecessor.

Roman Flügel, Fatty Folders

More than a paean to long-lost subgenres or a play at shifting the conversation back in a particular direction, Fatty Folders is a celebration of having an inimitable voice.

Roll The Dice, In Dust

By eschewing the clean and pure sound of their earlier work, Roll The Dice’s In Dust gains a warmer and more human feel.

Agnès presents Cavalier, A Million Horses

Over 80 minutes, Cavalier’s A Million Horses inhabits a warm, vintage, and unabashedly soulful pocket with a fervor few can match. But can it set itself apart from the many other producers doing the same?

Cosmin TRG, Simulat

A closer look at Cosmin TRG’s debut album, Simulat, finds that underneath and between the 4/4 is a strangely psychedelic and otherworldly approach to melody and rhythm.

Omar-S, It Can Be Done But Only I Can Do It

As its title suggests, It Can Be Done But Only I Can Do It, the newest album by Omar-S, is honestly the kind of LP only he could have assembled.