Popular music has always flirted with the idea of gender ambiguity. David Bowie and indeed much of the glam rock scene supposed flouncy gender-bending alter-egos and it has been a theme employed time and again by many an artist, finding its way into dance music probably first through people like Brian Eno and Throbbing Gristle. Having followed the releases on Modern Love’s offspring imprint Daphne with some fervour, I was surprised however to find out that the Millie & Andrea duo who had been issuing blunt, dreadnought dubs, were in fact not studio-wise ladies with a penchant for bum-worrying bass, but MLZ and Andy Stott. Going it alone for this one, Andrea (Stott) marks the change with two tracks considerably more “feminine” by nature, instilling measured doses of honeyed vocals into both “You Still Got Me” and “Got To Forget.”