Apariciones Reworked aims to inject some magic back into the original tracks with remixes by Melchior’s long time friends, Baby Ford and Ricardo Villalobos.
baby ford
Baby Ford, Tin Of Worms
September 8, 2009 – 10:01 PM
It’s difficult to mention Baby Ford in 2009 without feeling the need to also discuss the passing of his longtime production partner, Ian “Eon” Loveday. Ford’s Trelik label was established primarily to release his work with Loveday, whether solo or together as Minimal Man. Loveday also lent his talents to the now seminal Baby Ford & The Ifach Collective project. Although the frequency of their collaborations tapered off after the turn of the century, one imagines the bond between them never weakened. All the more reason “Tin of Worms,” Baby Ford’s latest single released only days after Loveday succumbed to pneumonia, feels inexorably linked with his partner’s untimely passing. Production schedules suggest the music was likely complete well beforehand, yet a pall hangs heavily over the release.
Onur Özer, Kasmir Remixes 2
August 14, 2009 – 10:01 AM
It’s somewhat beyond me why we’re just now hearing the second remix package for Onur Özer’s Kasmir album two years after its release. Though it might seem a bit redundant, we’ve not heard much from the young Turk since Kasmir, so consider it a long overdue stopgap. Tardiness gripes aside, Özer will have bought himself a good chunk of time by enrolling Isolée and Baby Ford to remix “Innervoice” and “Aida” respectively as their interpretations will keep fans buzzing for some time.
Baby Ford, Gravy Train
May 21, 2009 – 12:41 AM
Baby Ford once said, “Voices on tracks have always been part of the sound, but that’s all it is, part of a whole sound.” “Gravy Train” and Soul Capsule’s “Waiting 4 A Way,” a track Baby Ford co-produced with Thomas Melchior in 2007, help us to understand this relationship of parts to wholes when it comes to vocals and instrumentation. There are similarities between the voices on “Gravy Train” and “Waiting 4 A Way,” both in execution and concept. Linguistically, they share a sexual “come on” croon, they’re worked with effects in equal measure, and both have been released as a cappellas. This last commonality suggests a logic where the voices are no longer just parts of a whole sound, but have become a whole sound in and of themselves.
Minimal Man, Make A Move
September 24, 2008 – 6:34 PM
[Trelik] A collaborative project between Baby Ford and Ian “Eon” Loveday birthed way back in 1993, Minimal Man have released a dozen or so singles for such labels as Perlon, Trelik, Guerilla, and Vinyl Solution. But it’s been “Make A Move,” originally released in 2000, that has taken on a life of its own via […]
Melchior Productions, No Disco Future
January 16, 2008 – 11:01 PM
[Perlon] In his work as Melchior Productions and various Aspect Music projects with Baby Ford and Tim Hutton, Thomas Melchior has consistently evoked a great deal of motion, thought, and feeling with relatively little grist. He helped define the micro-house era with his 2004 album, The Meaning on Playhouse by snatching sensual vocal slivers for […]