Demdike Stare’s new reissue label, Dead-Cert Pressings, unearths a forgotten gem in Suzanne Ciani’s Voices of Packaged Souls.
big black headphones
Pye Corner Audio, The Black Mill Tapes Volumes 1 & 2
Originating from a mysterious, digital source, the first two of Pye Corner Audio’s vivid and affecting The Black Mill Tapes have been pressed to vinyl by Type and tape by Further Records.
BBH: Dream 2 Science, Dream 2 Science
Rush Hour’s reissue of this often overlooked classic album reminds listeners not only of Dream 2 Science’s songwriting chops, but also his voracious appetite for sexual themes.
BBH: Lego Feet, Lego Feet
While Autechre completists will undoubtedly appreciate a window into the pair before they’d fully formed, students of dance music will enjoy hearing the gamut of 1980s dance music tropes cracking at their foundations.
BBH: Fresh & Low, Little ‘i’
Foul & Sunk’s reissue of Fresh & Low’s Little ‘i’ EP improves the record’s availability for fans (original copies are around €53 on Discogs) and make the rest of us aware that it even exists.
BBH: The Memory Foundation, Greenflash EP
Released during Memory Foundation’s most prolific period, the four track Greenflash EP offers examples of some of their best work.
BBH: Various Artists, NSC 1-4
More than ten years after its 1998 release, NSC 1-4 remains a testament to the relationship between the National Sound Corporation and Detroit techno’s luminaries.
BBH: Pile, Perlipop
Perlon’s founders Markus Nikolai and Thomas Franzmann made only one 12″ together as Pile, Perlipop, which was quite indicative of the time and the ethos of the label.
BBH: Various Artists, Further Adventures In Techno Soul
The second artist compilation on Ferox Records brought all of its disparate influences together and still stands today as a fine calling card for Russ Gabriel’s label.
BBH: Larry Heard, Missing You
Alleviated Records continues reissuing classic Larry Heard sides, following the seminal Mr. Fingers with 1999’s just as potent Missing You.
BBH: Vincent Floyd, I Dream You
Vincent Floyd’s 1991 release for Dance Mania, I Dream You, stands as one of the deepest examples of Chicago house.
BBH: Soft House Company, What You Need…
Although Soft House Company’s 1990 single “What You Need…” feels like a New York house anthem its Italian origins are what make it so special.
BBH: Extortion ft. Dihan Brooks, How Do You See Me Now?
The short-lived duo of Jason Load and Pavel DeJesus, aka Extortion, may not have made any big waves in the global waters of dance music but one of their singles was fortunate enough to feature the remix talents of one Joey Negro.
BBH: Ross 154, Until My Heart Stops…
Listening to Delsin’s reissue of Until My Heart Stops… by Ross 154, born as Jochem Peteri but best known as Newworldaquarium, trying to pin down its exact origins blindly gets a little tricky.
BBH: Projekt: PM, When The Voices Come
Kuri Kondrak considers Edgar Sinio’s When The Voices Come EP as Projekt: PM, which helped put Guidance Recordings on the Chicago house map in 1996.
BBH: Anthony Rother, Sex With The Machines
Growing up listening to the sounds of Kraftwerk, there was one thing in the forefront of Anthony Rother’s mind when he started producing music: introducing others to the chilling machine funk of electro. Through his own Psi49Net label and on others like Kanzleramt he pushed his mechanical, dry take on the genre, proving himself a vital part of an electro revival that was also being championed by people like Drexciya, Aux 88, and latterly the Interdimensional Transmissions crew. Later work on his Datapunk imprint has explored further reaching territories, angling more towards the grey area between electro and techno, but at Rother’s roots lie the bone dry communications of a supposed future in which man is surpassed by machines of his own making.
BBH: The Subjective, Tremmer/Critical
One of England’s premier techno outfits of the nineties, Colin McBean and Cisco Ferreira are best known as The Advent. Their discography as The Advent reaches back to 1994, though Ferreira scored early releases in 1988 on R & S and in 1989 on Fragile, while the two collaborated as early as 1990 in the group K.C.C. As The Advent they crafted hard-nosed looped techno tracks and occasionally indulged in a spot of electro. When the feeling took them they would divert towards something a bit more melodic under the name Man Made (as on their brilliant Space Wreck 12″ for Fragile) or as The Subjective, even dabbling in filtered disco house as G-Flame & Mr G. Arguably one of their finest releases was “Tremmer/Critical” as The Subjective on Dave Angel’s Rotation label in 1997. It was a notable release at the time for fusing together the hard, fast techno they were known for with shimmering, ethereal melodies that lay in direct contrast to their uncompromising, near industrial sound.
BBH: Glenn Underground, Future Shock
Within the scope of Chicago’s early/mid ’90s house renaissance Glenn Crocker, aka Glenn Underground, played a strong role in helping to define what was an emerging new sound for city. Along with fellow artists Boo Williams, DJ Sneak, Tim Harper and several others they formed a dichotomous current that for several years was defined by the direction of the Cajual and Relief labels: disco-styled house for the former and banging raw tracks for the latter. European labels quickly picked up on this and plucked nearly all of the aspiring new faces on the scene for at least one 12″ and at most two albums. Crocker was one such artist that technically got his start on Eindhoven-based label, Djax-Up-Beats, with the Future Shock 12″ in 1993.
BBH: Groove Committee, I Want You To Know
Nu Groove, perhaps the most famous name in New York house after Strictly Rhythm, is an infamously difficult label to assess. Frank and Karen Mendez had originally started the imprint in 1988 as an outlet for Rheji and Ronald Burrell, former R&B producers (and twin brothers) who had recently parted ways with a major label. But by the time they pressed their last slab in 1992, the label had released over 100 records in seemingly as many club music subgenres. While the Burrells’ early singles remain fresh (especially Rheji’s, in this reviewer’s humble opinion), and the label provided a crucial early home to the likes of Frankie Bones, Kenny “Dope” Gonzalez pre-Masters At Work, and Victor Simonelli (see below), not all of the mélange holds up so well. Despite Nu Groove’s status as a completist’s worst nightmare, its pervasive underground-ness — disco soul emanating from brittle, staunchly low-tech sounds; a reputation built on a minimum image — manages to tie this behemoth of a catalog together. And as Underground Quality sends similar backroom ripples through the house music universe from the Tri-State Area once more, Nu Groove 12″s will undoubtedly wiggle their way out of dusty used bins at a somewhat faster rate.
BBH: South Street Player, (Who?) Keeps Changing Your Mind
You’ll read a lot about how house music and in particular vocal tracks, lift you up, carry you along with a feeling, make you moist around the tear ducts. For me, most of that carries about as much weight as hearing kids in California harp on about P.L.U.R. back in the mid 90’s while they sucked on pacifiers and sported gargantuan, street sweeping baggy jeans. But I have to be honest that there are a select few vocal house tunes that can, to this day, send a shiver up my spine and have me dabbing at the corners of my eyes. Roland Clark’s South Street Player alias only graced two releases, but throughout his entire career that has spanned over twenty years this Strictly Rhythm release under that name is undoubtedly the highlight.