LWE spoke to Public Lover ahead of their album release about how to work in harmony with your lover and acquired a stunning, exclusive Public Lover set that showcases new material alongside sneak previews of the album.
bruno pronsato
NDF, Since We Last Met
Confounding DFA watchers, NDF (the pairing of Bruno Pronsato and Sergio Giorgini) create something beautiful and slightly abstract on Since We Last Met. Ricardo Villalobos contributes two remixes.
Melchior & Pronsato, Puerto Rican Girls
Throughout Puerto Rican Girls it’s evident Pronsato and Melchior have musical chemistry, yet at times their sonic revelry comes across as hubris and a lack of editing.
Ninca Leece, Feed Me Rainbows
Only two releases old, Thesongsays has already accrued an interesting profile. It was initially a platform for Bruno Pronsato’s own productions, chiefly LWE’s number four tune of 2009 “The Make Up The Break Up,” a druggy 38-minute trip through his soundbank. Yet release number two was penned by the hitherto unknown team of Benoit & Sergio, featuring the lovely, saccharine “Full Grown Man.” The third single from Thesongsays is equally unexpected, arriving under the auspices of Franco-German producer Ninca Leece who released an album titled There Is No One Else When I Lay Down And Dream earlier this year. Feed Me Rainbows certainly piques my interest like its predecessors and has me wanting to know more.
LWE’s Top 25 Tracks of 2009 (5-1)
As the Internet allows for the fragmentation of tastes and musical scenes to increase with each passing year, critical attempts to address an overarching annual narrative seem as if they’re becoming a thing of the past. Instead we get something closer to an episode of “Curb Your Enthusiasm,” with several intricate sub-plots coexisting and influencing each other to enjoyable, unpredictable ends. 2009 found house developing still deeper on one hand and running at surface level on the other, some of its adherents picked away by a Latin strain which grew rather unwieldy. UK bass music of all sorts reached further afield for its influences, adding boogie, house and freestyle into its repertoire while dubstep proper refined its sound as the wobble variety began to grate. Techno grew harder, weirder, and more fiercely independent than most had seen in years, and many of its talents continued their courtship with stepping musics. And by the end of the year, there was more than enough excellent tracks to declare 2009’s yield both fruitful and memorable. After looking back, we’ve chosen these 25 tracks as the best this year had to offer.
Bruno Pronsato, The Make Up The Break Up
About this time back in 2007, Bruno Pronsato was finishing up his debut album, Why Can’t We Be Like Us, and struggling to fit in one final song: an epic, electronic ballad called “The Make Up The Break Up.” It was an especially compelling track, and Pronsato did everything he could to fit it onto the album, but in the end it was just too long and had to be left out. Why Can’t We Be Like Us dropped at the end of the year — promptly receiving a deluge of praise — and “The Make Up The Break Up” remained a work-in-progress, appearing only in scattered cameos throughout his live sets.
LWE 2Q Reports: Top 5 Downloads
2009: Another year, another plethora of podcasts. Lots of amazing freebies have come out since the beginning of the year, and though many of them are nothing to write home about, quite a few are really exceptional. In addition to LWE’s nifty collection, you’ve got mnml ssgs churning out heady techno gems on a weekly basis and RA raising the bar higher than ever before (DJ Koze’s podcast still hasn’t lost its magic). But really, who’s got time for all this? With each one at least an hour long and weighing something near 100mb, the sheer volume of content means a lot of great stuff just falls by the wayside. So to help you sort through all this noise, here are five mixes you won’t regret right-clicking and saving-as.
Others, Take 1/Take 2
[Musique Risquée] As yawn-inducing as the notion of “horn house” may sound at this point, one recent release on Musique Risquée puts brass to use in a way that’s rather novel. Under the moniker Others, Bruno Pronsato and Daze Maxim blur the line between organic and electronic sounds even more than usual, layering horns over […]
Little White Earbuds January Charts
Graphic via The Economist 01. Ben Klock, “October” [BPitch Control] (buy) No rest for the wicked, it seems, as Ben Klock drops another heavy one on fans with “October.” Like a ghost in an aggressive, pounding machine, the title track’s melody billows upwards and is zapped into place by laser precise synth strokes. “Similarity” relishes […]