If “Giorgio Carpenter” and “Television Train” told us anything about Cage & Aviary, it’s that Jamie Paton and Nigel Hoyle are good listeners. Heavily referential, both tracks relied on in one sense — and racked up in another — some serious musical credit, while somehow managing to skip the bill when it came time to pay the price for the goods. There’s something cool as cucumber about their synthetic style and the slow developmental arc of their tracks. They take ample time to celebrate their collective and contrasting influences (i.e. disco, Italo, post-punk, white-boy funk, indie rock, new wave, all the way up to early Chicago and acid house) without sounding derivative, predictable, or feeling the need to rush headlong into blatantly new territory.