Returning to Rush Hour for his latest, the Four For Four EP, Nebraska absolutely makes good on the collection’s title.
jordan
Unknown artist, Waveshape/Atrium Munitions
1XA, anonymous in name as they come, manages to do the whole mysterious-techno-release thing one better on their third 12″, Waveshape/Atrium Munitions.
Terrence Dixon, Room 310
While a great deal of contemporary dance music seems ignorant of dynamics, Terrence Dixon and Upperground Orchestra benefit greatly from making the most of them on Room 310.
Cooly G, Up In My Head/Phat Si
Cooly G’s latest for Hyperdub, Up In My Head/Phat Si, is perhaps also her greatest.
Curator’s Cuts 10: Jordan Rothlein
LWE staff writer Jordan Rothlein mixed together Curator’s Cuts 10. We will post the tracklist later in the week, as each curator discloses and describes the tracklist as part of the podcast.
BBH: Soft House Company, What You Need…
Although Soft House Company’s 1990 single “What You Need…” feels like a New York house anthem its Italian origins are what make it so special.
Mount Kimbie, Crooks & Lovers
Mount Kimbie’s Crooks & Robbers is a quirky little electronic album from a group whose beauty sneaks up on you, and whose poetry maybe isn’t readily apparent on your first bus ride.
Digital Mystikz, Return II Space
Mala, producing sans Coki as Digital Mystikz, has cast what could be the purest dubstep of the last few years — if not the purest dubstep imaginable at this point — in the form of Return II Space.
Al Tourettes & Appleblim, Lipsmacker
Appleblim and Al Tourettes’ first single of all original material lands on Will Saul’s Aus Music imprint a little off balance.
Various Artists, Shangaan Electro: New Wave Dance Music From South Africa
The Limpopo-based head of Nozinja Music Productions recently had his greatest hits from 2006-2009 lovingly compiled by Mark Ainley of Honest Jon’s in London and Mark Ernestus of Hard Wax — on Shangaan Electro: New Wave Dance Music From South Africa, and the music contained therein seems destined to cause unrest amongst their usual clients.
Ben Klock, Berghain 04
Ostgut Ton has always been about placing techno and house above the fray, and that’s precisely where Berghain 04 is simmering. Ben Klock has given us a commercial-free statement on techno executed artfully.
Sepalcure, Love Pressure
That Brooklyn duo Sepalcure could turn out such relevant and future-forward music on Love Pressure, their first time out, bodes very well.
LCD Soundsystem, This Is Happening
This Is It, the third album from James Murphy’s LCD Soundsystem project, is less successful at engaging indie rock and dance music audiences as evenly as on previous releases.
Marcel Fengler, Thwack
Bigger, punchier, and more self-assured than Marcel Fengler’s previous string of 12″s for Ostgut Ton, the Thwack EP doesn’t just sound like the work of a hungry young producer; he sounds like he’d eat the whole party sub at the coming-out soiree we critics finally owe him.
Elektro Guzzi, Elektro Guzzi
As meticulously arranged as the ten jams on Elektro Guzzi’s self-titled debut album are, and as totally nifty as they sound at points, the album does succumb to some of the problems that plague long-players of the bedroom producers they imitate.
T++, Wireless
On Wireless, purportedly Torsten Pröfrock’s final T++ collection, the producer — long recalling a chemist or perhaps nuclear physicist –seems to have moved his operation to a biology lab, if not a roadside barbecue pit.
Little White Earbuds Interviews JD Twitch
Jumping from Optimo’s peculiar envisioning of peaktime techno to a strange series of events deep in Madrid clubland, JD Twitch gives Little White Earbuds a peak into the infamous past and exciting future of some of dance music’s most singular party-starters.
Marcel Dettmann, Dettmann
While it’s at times painfully monochrome, Dettmann certainly succeeds both as an expansion and as a fine-tuning of Marcel Dettmann’s aesthetic.