It’s likely we all know the events and stories for which 2009 will be remembered: global recession, the first year of Obama’s presidency, a seemingly endless stream of celebrity deaths, the stolen Iranian and Afghani elections and Japan’s historical shakeup, and Twitter’s penetration into almost everything. But when we look back at the year and remember the dance music artists whose significance was widely felt in 2009, whose faces and vinyl sides will spring to mind? This is tricky territory to parse while still standing inside its confines, but a worthwhile pursuit nonetheless — if for no other reason than to see how accurate I am a few years down the line. The producers I chose made artistic decisions whose deep impact is still creating ripples now, perhaps into 2010. My list overlooks many influential artists (special apologies to STL, Fred P., Moritz Von Oswald, Appleblim, et al.) and shouldn’t be seen as necessarily an endorsement of each selected, but rather acknowledgment of their importance to the dance music climate created this year. Together yet apart, these individuals contributed to the broader narrative none of us can yet decode; here’s my attempt to make some sense of it.
luciano
Affkt & Danny Fiddo, El Prologo Remixes Pt. 1.1
Scrolling through new releases the other day I came upon “El Prologo Remixes Pt 1.1” by Affkt and Danny Fiddo, a record which seemed notable only for its superstar remixers, Ricardo Villalobos and Luciano. How did two fresh-faced producers with scant discographies on a new label, Barraca Music, snag these giants (and Radio Slave on the digital version) for remix duty? Listening to the originals makes it obvious: The meticulously groomed percussion, sputtering drum breaks, Latin diatribes and blurred marimba progressions of “Points” and “Cartas Para Geisha” are the bread and butter of Villalobos’s and Luciano’s sets. Recently these masters have taken good care of their emulators (see: Sei Es Drum and Cadenza’s last 10 records), so a couple remixes for their new followers is very in character. Yet as this EP makes clear, reworking tracks made in your own image has its pitfalls.
Los Updates, First If You Please The Remix Part 2
[Cadenza] Los Updates’ First If You Please full-length has the distinction of being not only the first artist album released on Luciano’s Cadenza imprint, but also hands-down the most disappointing thing the label has released to date — an uninspired set of tech-house tunes dragged down like an anchor by Jose Gonzalez’ cringe-worthy lyrics and […]
Kevin Saunderson, History Elevate 4
[KMS] Fans of this website are no doubt aware of the remix series which has seen a host of modern techno and house luminaries breathe fresh life into classic Kevin Saunderson productions on KMS. “History Elevate” has given our ears a few sensational pieces of music, some of which may indeed emerge as classics in […]
Luciano, Etudes Electroniques
[Cadenza] In spite of being an influential and accomplished producer in his own right, Lucien Nicolet aka Luciano is too often mentioned in the same breath as his countryman, Ricardo Villalobos. While their respective work shares a distinct and heavily documented organic warmth, their paths diverge there, with Luciano experimenting with both abstract forms, jiggling […]