After a relatively quiet 2012, Motor City Drum Ensemble returns with the four track Send A Prayer EP which stalks confidently throughout admittedly familiar territory.
motor city drum ensemble
DOTW: Philippe Sarde, Le Cortège Et Course (Motor City Drum Ensemble Edit)
This week’s download finds MCDE retooling ’70s French soundtrack music for future techno ends.
LWE 2Q Reports: Top 5 Overrated Tracks
For this column I’ve endured a great deal of popular dance tracks from the first half of 2010 to pick five whose acclaim seems most at odds with their merits. Most of them are not intolerable and some of them you might even enjoy — all the more reason to figure out why they punched above their weight.
Various Artists, Prime Numbers 11
Trus’me’s Prime Numbers label may only have notched a handful of releases in 2009, but counting Linkwood’s System and Trus’me’s own In The Red albums among them, it was a successful year for the Mancunian independent. Barely into the new year and Prime Numbers 11 hits us with three further reasons to count the imprint as one of the most exciting purveyors of house music around right now.
Motor City Drum Ensemble, Raw Cuts #5/#6
I don’t have strong feelings either way about Motor City Drum Ensemble’s “main line” releases for Four Roses or, most recently, 20:20 Vision. But I can’t help but adore his off-the-cuff “Raw Cuts” records. Hastily produced by design, Danilo Plessow tries not to over think the music. His goal is to take just two hours to assemble a track from samples of soul, funk, and disco and his own custom beats, slam down the hood, and put them on the road. If it’s just mucking about in the shop for Plessow, though, last month’s Resident Advisor charts indicate DJs are all too happy to field test the results. And it’s easy to see why — these deep, soulful tracks are hugely infectious, backing uptempo immediacy with what seems (at least so far) to be a lasting shine. Though the “Motor City” of his chosen moniker also refers to the German auto mecca Plessow calls home (that’s Stuttgart), there’s no denying a certain Detroit classicism on these records. From the well-insulated thump of the kick drum to the velvety organ chords, Plessow certainly isn’t hiding his Moodymann CDs in the glove box.
Motor City Drum Ensemble, Lonely One
Listening to “Lonely One,” the latest single from Motor City Drum Ensemble, I found myself focusing on the artist’s name more than his music. In all likelihood the Stuttgart-based producer (nee Danilo Plessow) picked the moniker as homage to Detroit’s many pioneering artists or as an unacknowledged nod to his hometown’s manufacturing claim to fame, but I can’t help feeling suspicious of his choice. A bit more than a year after minimal’s popularity bubble went bust, many producers and fans have found comfort in the “realness” seemingly innate in Chicago house and Detroit techno. Plessow’s music is likewise influenced by Detroit sounds; but as the press material for “Lonely One” admits, his is an outsider’s take that aims for more than emulation. Why then opt for an alias so tied to that ethos?