Touching hearts is only half of the Prosumer & Murat Tepeli experience, as evidenced once again by their first single since 2008, the rousing “U & I/The Jam.” Setting aside emotional themes to reach for their dancing shoes, Prosumer and Tepeli have crafted an irresistible call to the floor.
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Marcel Fengler, Twisted Bleach
While Marcel Dettmann and Ben Klock have each established themselves as like-minded soundsmiths of taut, ultra-functional, ear-splitting techno workouts, fellow Berghain resident and best pal Marcel Fengler remains something of an unknown quantity. He has yet to venture beyond the OstGut Ton mothership, and his two previous releases — murky, Gothic techno rollers pitched towards the latest of late nights — have been amongst the label’s most slept-on releases. But if Fengler has his eyes set on the sort of visibility (and lucrative weekends of globetrotting) his associates have gained in the last few years, something tells me “Twisted Bleach,” his latest for OstGut, might just be his international plane ticket.
Ben Klock, Remixes
It may seem like a long time to allow six months to pass since the release of your album before issuing a remix package, but given the strength of the three remixes here I would imagine OstGut Ton and Ben Klock knew exactly what they were doing. For “Remixes” he enlists the expertise of an older generation of producers to interpret his tracks (admittedly the identity of Sandwell District, who appears here as an artist rather than the label, is presently still debatable) and that wealth of knowledge shines through.
Ben Klock, One
The early bird hype on One hinted it was very self-consciously an “album.” Some suggested Ben Klock had discarded the Berghain-tested stompers that made his name for a more mature sound, perhaps even an attempt at a grand artistic statement. Alarm bells rang: What this often means is an album with a couple of killer tracks at best and a lot of filler. Surely Klock hadn’t gone soft and released an album of downbeat noodlings and scrappy experiments?
My My, Everybody’s Talkin’ EP
[Playhouse] When I interviewed My My‘s Nick Höppner and Lee Jones a few months ago, they acknowledged the strain of music they released with Playhouse was markedly different from their “Southbound” single for Ostgut Ton, noting that “we’d rather produce something to the occasion.” So few will be surprised that “Everybody’s Talkin’ EP,” their latest […]
Norman Nodge/Samuli Kemppi, Berghain 02|Part II
Photo by Eric Phillips [Ostgut Ton] Each new release from Ostgut Ton builds on an already impressive list of accomplishments, of which becoming an underground multimedia empire is only one. Graduating from 12″ singles, double packs and compilations to albums (Prosumer & Murat Tepeli’s irresistible Serenity) proved the still fresh-faced label’s keen A&R eye (not […]