Tag Archive: review

John Roberts, Paper Frames

John Roberts’ Paper Frames EP is a logical move, applying that abstraction to his own preference for deeper house and modern classical motifs.

Trevino, Discovery EP

On his second EP of 2012, the Trevino moniker continues Marcus Kaye’s exploration of the relatively fertile area between drum ‘n bass and house and techno.

Cooly G, Playin Me

On her long-awaited debut album, Playin Me, Cooly G harnesses her talents to convey the complexity of the moments inspiring her tunes.

Bicep Vs, You/Don’t EP

Biceps debut on Aus Music feels more like flirtation than full-on stylistic evolution — a safe exploration of a sound that’s been pretty thoroughly mined at this point.

Juju & Jordash, Jewsex

Taking a break from the serious themes of their Unleash the Golem series, “Jewsex” is not only heavy on the visual humor: it’s one of the brightest, most upfront tracks Juju & Jordash have done.

Moomin, She Said She Won’t Be That Long Away

She Said She Won’t Be That Long Away, Moomin’s first solo release for the Aim imprint makes the case for his quiet consistency.

Glimpse/Martin Dawson/Alex Jones, Fat Controller

A collaboration between Martin Dawson, Glimpse and Hypercolour’s honcho, Alex Jones, Fat Controller is easily beat by Roman Flügel’s singular remix.

Nor’Easter/DJ Qu, Tri State EP

Anthony Parasole launches his The Corner imprint with tracks by Nor’Easter and DJ Qu that make nice with hip-hop in an often unheard way.

Leon Vynehall, Gold Language EP

For the Gold Language EP, Leon Vynehall’s follow-up for Fitzgerald’s ManMakeMusic, he moves onto wonderfully shaky ground and starts to pull away from the pack in the process.

D’Marc Cantu, A New World

A New World, D’Marc Cantu’s second album in the last year’s time, is an unpredictable show of character from a very crafty producer.

CHXFX / PLKZFX, EXOFERRIC / LATENT ACID

Nochexxx and Ekoplekz don new monikers and sounds for their Exoferric/Latent Acid split LP for Further Records.

Shed, The Killer

The third album from frequent scene-stealer Shed is his most cogent statement to date, primarily due to its uniformity of sounds.

Fred P, Finale Revisited Vol 1

Finale Sessions take another look at recent instant classics from Fred P for Finale Revisited Vol 1.

Franklin De Costa, She Is The One

Wading into still slower tempos, Franklin De Costa strikes upon some intriguing ideas with his She Is The One EP for Mule Musiq.

Jam City, Classical Curves

Classical Curves may draw on myriad sources, but Jam City’s debut album unifies them in an expertly sequenced procession.

Luv Jam, Nesta Nip EP

The Nesta Nip EP could be labelled as house, but it’s a psychedelic interpretation of it, focusing more on flaring, luminous chord progressions than percussion.

Old Apparatus, Derren

Derren for Sullen Tone is a bridge between Old Apparatus’ caustic industrial and moody pop sides.

Martin Kemp, German Salad

Returning with his first solo release since 2010, Martin Kemp’s German Salad contains some of his strongest — and certainly his trippiest — material so far.

Delta Funktionen, Traces

Defying the monochrome palette of his previous releases, Delta Funktionen looks back towards classic Warp albums for inspiration on his debut album, Traces.

Tr One, Living In, Now

Tr One’s Living In, Now12″ for POGO Recordings capably translates the duo’s live energy and likewise offers up some slamming DJ ammo as well.