Perhaps more than any other genres, dance music inspires, nay, beckons for the existence of copycats. Whether it’s the natural tendency to follow hitmakers’ lead with one’s own interpretation or the myriad technological opportunities to emulate sounds found in the hits, clubbers tend to reward even shabbier, trend-riding producers with their presence on the dance floor. Sometimes this provokes ire in producers at the front of the pack (eg. Dan Bell’s frustration over Josh Wink’s “Phreak”-biting “Superfreak (Freak)”), other times successful mimicry means new record deals (eg. much of Cadenza’s roster in 2009). Yet the inevitability of copycats doesn’t mean they should be let off the hook, especially in more egregious instances of plagiarism. Rodriguez Jr.’s “Kids of Hula” is one such case.