In this incredibly candid interview, René Pawlowitz — best known to the world as Shed — filled us in on his typical creative process, his misgivings with the general state of techno, and the burden of having a moniker that sticks.
sarah joy
Seth Troxler, Boogy Bytes Vol.05
March 17, 2010 – 10:01 AM
After four homegrown installations of their Boogy Bytes mix series, BPitch Control broke free of their own roster, judiciously offering the fifth chapter to Berlin’s beloved “baller by definition,” Mr. Troxler. Voted one of the top ten DJs of 2009, it’s comes as no surprise that Troxler’s track selection is as eclectic, varied, and charming as his character is memorable. The mixing is careful and colorful, and the narrative grows more enticing with each end-to-end listen.
Maayan Nidam, Don’t Know Why/Feels Like
March 4, 2010 – 11:01 PM
When I first sampled the little sips of this 12-inch on the Hardwax website a couple months ago, I immediately felt that tingly warmth in my chest that seems to indicate something worth investigating. After the release of her debut album Night Long last year, Maayan Nidam left me wondering: what next? She seemed to have shed the Miss Fitz moniker for all but remixes, and in stepping into her own name she had moved, too, into a new era of emotional, mature, and even contemplative dance music. While her productions past were always composed with taste and precision, the artful formulation of the full-length upgraded her brand of dry-but-funky minimalism to an intoxicated, swaying jazzy wonderland.
Ryo Murakami, Just For This
February 1, 2010 – 11:01 PM
Since Steve Bug first discovered him in 2007, Ryo Murakami has been busy giving Japan’s techno scene a good name. Following close on the heels of his deep and dubby Lost It EP, the producer has delivered yet another aural treat from Tokyo. Rarely do house singles have the coherence and consistency found on this release. Put simply, this is just good stuff. The three tracks fit together like the matching pieces of a china set: the slow and sultry title track is the bulbous tea pot, steeping some seriously deep house grooves; the remix is the flare-rimmed teacup, delicately endowed with fresh organic drums; “Untitled” is the wide-mouthed sugar dish, full of party sweets. Each piece earns its distinctive place in the set.
Brandt Brauer Frick, Wallah/Button
January 18, 2010 – 11:01 PM
If you don’t already know the names, nota bene: this three-man acoustic techno team is one part Paul Frick (classically trained musician cum dance music producer) and two parts Scott (aka Dan Brandt and Jan Brauer). After only a handful of releases — all noteworthy — the hubbub surrounding this trio means that each new addition will be met with great expectations. Here, although their self-recorded acoustic sounds are ripe for the picking, the group falls slightly short of their soulful reputation.