Todd Edwards hasn’t exactly been dormant over the years, but if there was ever a time for one of the leading proponents of what became U.K. garage to reassert their status then it is certainly now.
todd edwards
Little White Earbuds Interviews Todd Edwards
Rare is the artist who can credibly claim their music inspired a musical movement; and while New Jersey producer Todd Edwards might not suggest so himself, there are plenty of admirers who would jump at the chance do it for him. His effervescent brand of garage house is the result of a visionary’s ear for making disparate sample sources fit together to create dazzling new melodies — moving mosaics that have influenced producers well beyond the limits of underground dance music. His tracks for i! Records and Nervous and remixes for everyone from St. Germain to Kim English were like a lit match for the U.K. dance music scene’s fuse, setting off an explosion of sample heavy 2-step that’s still smoldering today. Feverish fans even dubbed him Todd “The God,” although as a devout Christian he would likely prefer the title “Man of God.” His faith has certainly colored and informed his music, often in the form of positive, sometimes even praise-styled lyrics. But what might seem like a risky move for music geared towards a largely secular community only further distinguishes Edwards as an artist who believes completely in the messages laced throughout his work and has the guts to be forthcoming about it. After a few years spent on the sidelines, Todd Edwards is back with a raft of new tunes, remixes, and finally a legitimate way to procure his hard to find back catalog. He was kind enough to talk with me via phone about his methods, his message, and the Almighty in his life.