What kind of music would people like Jimi Hendrix, Elvis Presley, Robert Johnson, or Johann Sebastian Bach be making if they were alive today? Would they have stuck to their roots and continued to play the music they were famous for and helped make famous? Or would they have updated their existing systems and ideas, used the latest technology and reflected their newer influences? It’s highly likely they would choose the latter (if you can look past the sheer logistical impossibilities of Bach especially surviving for so long). A group like Aufgang may well present us with the closest approximation of what someone like Bach may have sounded like some three hundred years after his time. The combination of Francesco Tristano, Rami Khalifé — both classically trained pianists from the prestigious Julliard school — and Aymeric Westrich, a formidable percussionist in his own right, lends itself to an interesting new take on both classical and electronic music. Taken from their self-titled debut album, “Barock” is reinterpreted by Wareika, Mondkopf and Robert Hood who all personalize the track and take it in whole new directions.
wareika
Wareika, Ascending, Descending
Wareika have chalked up some impressive releases since they first appeared in early 2008 “Men Village.” Their organic deep house and slightly more tech related fare has found its way in to many a discerning jock’s box, and they even managed to make a half respectable go of The Door’s “Riders On The Storm.” With all three members being rather accomplished musicians as well as being involved in other notable projects my own expectations were rather high for their new EP.
Wareika, Men Village
[Connaisseur Supérieur] The fine folks over at Connaisseur obviously take their role as A&R agents quite seriously, particularly for their Supérieur sub-label. So far they’ve found and provided first opportunities for Girrèsse & Erb, Sebastian Roya and Dani Casarano; and one look at their well organized website suggests there are many more to come. Their […]