Wolfgang Voigt has rushed back in the spotlight recently, in part thanks to the release of the beautiful Nah Und Fern box set collecting his four ambient/classical Gas albums, as well as a reissue of the minimal techno inventing/perfecting Studio 1 CD on Profan. Gas and Studio 1 have always been, with Mike Ink, Voigt’s most well known pseudonyms, but one must remember this is a man with 33 monikers other than his own listed on Discogs (counting only his solo projects). It’s with that in mind that I delve in the past to unearth one of Wolfgang’s hidden gems, All’s “Alltag 1-4” on his own Kompakt.
wolfgang voigt
Various Artists, Total 10
It’s astonishing to think Kompakt is a mere ten years old. The shadow they have cast over the contemporary house and techno scene, not least through their distribution, never mind label releases, is gigantic. For younger DJs and fans, it’s hard to think of a world without the dotted imprint. Their Total series is a case in point: a summer without the compilation and accompanying party is difficult to contemplate. For casual fans, the CD issue offers the opportunity to catch up on the year’s hits, while the double, and now triple vinyl packs satisfy DJs with exclusives cuts and some venerable smashes of their own (Superpitcher’s “Mushroom,” DJ Koze’s “Mariposa,” and Jürgen Paape’s “So Weit Wie Noch Nie” for starters). They also illustrate the broad taste of the Kompakt collective, with tracks ranging from campy electro pop (Justus Köhncke, most likely) to teeth-grindingly hard techno (step forward Reinhard Voigt). This eclecticism is both Kompakt’s greatest strength and their weakness. Their determined and democratic stance that if any one of the label heads (Michael Mayer, Paape and Wolfgang Voigt) likes a track enough they will release it, means occasionally real stinkers can slip through the door that ruin things for everyone. Throughout Total 10, the suspicion that this hardly stringent quality control is set to an all time low is hard to shift. When Total 10 is bad, it is very bad. And when it is good, it is still far from producing any classics to rival those listed above.
Studio 1, Studio Eins
[Studio 1] From his groundbreaking ambient work as Gas to his acid-fueled excursions as Mike Ink, to his foundation of the pioneering Kompakt empire, Cologne’s Wolfgang Voigt has had an especially active hand in the development of electronic dance music sounds in the last decade and a half. For all the weight the above carries, […]